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台北｜寶藏巖國際藝術村自 2024 年底起發行雙月刊英文電子報「Knock Knock! It’s THAV.」。其中專欄〈Voices in Culture: Collaborative Writing Project〉，特別邀請國內外藝文學者、實務工作者、駐村藝術家，以及國際藝文機構共同撰寫專文，透過多元視角帶領訂閱者深入探索國內外藝文生態，並解析藝術如何以不同媒介與觀點影響世界。

以下為專文列表：

系列 #1: 駐村藝術家與研究者觀點

1. Patrick D. Wilson. (2025), ‘Disruption, Process and Potential: The Value of Making in Context.’
   連結：https://medium.com/@air_94062/assignment-theatre-and-the-people-of-treasure-hill-0e66cfd056f5

2. Justyna Jaguścik. (2025). ‘Assignment Theatre and the People of Treasure Hill.’
   連結：https://medium.com/@air_94062/hearing-the-forest-for-the-trees-constructed-nature-between-taipei-and-singapore-06e0e1816908

3. Huijun Lu. (2025), ‘Hearing the Forest for the Trees: Constructed Nature Between Taipei and Singapore.’
   連結： https://medium.com/@air_94062/disruption-process-and-potential-the-value-of-making-in-context-a182b88af936

系列 #2: 國際藝術機構的文化觀點

1. 釜山文化基金會, 韓國 Soyoon Park. (2025), ‘Cultural Policy and Practical Strategies for Urban Vitality (Busan), focusing on the Busan International Performing Art Market (BPAM).’
   連結：https://medium.com/@air_94062/cultural-policy-and-practical-strategies-for-urban-vitality-d07d905d59ec

2. Heritage Art Space, 越南 Phạm Út Quyên. (2025), ‘From Private Collections to Public Spaces: The Emerging Landscape of Non-State Art Museums in Hanoi.’
   連結： https://medium.com/@air_94062/from-private-collections-to-public-spaces-the-emerging-landscape-of-non-state-art-museums-in-hanoi-34cc4f1bf927

3. Visual Voices, 賽普勒斯 Marina Neophytou. (2025), ‘Art as a Tool for Reconciliation: The Case of Visual Voices in Cyprus.’
   連結：https://medium.com/@air_94062/art-as-a-tool-for-reconciliation-the-case-of-visual-voices-in-cyprus-c6f923a83d96

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